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Portrait | Paul Boche by Michael Epps

Written by Carl on Wednesday, March 3rd, 2010 | 2010, michael epps, paul boche, portrait   

Paul Boche photographed by Michael Epps

605331 Commenthttp://thefashionisto.com/blog/2010/03/03/portrait-paul-boche-by-michael-epps/Portrait+%7C+Paul+Boche+by+Michael+Epps2010-03-04+03%3A00%3A57Carl

Photo of the Day | Other Hours

Written by Carl on Friday, February 26th, 2010 | 2010, paul boche, photo of the day   

Paul Boche photographed by Ralph Mecke

60186Commenthttp://thefashionisto.com/blog/2010/02/26/photo-of-the-day-other-hours/Photo+of+the+Day+%7C+Other+Hours2010-02-26+16%3A08%3A52Carl

New York Fashion Week | Petrou\Man Fall 2010

Written by Carl on Tuesday, February 16th, 2010 | 2010, cole mohr, ethan james, fall, fall 2010, lookbooks/presentations, new york fashion week, paul boche, petrou man, robbie spencer, robbie wadge, taylor fuchs, tomek szczukiecki   

Enlisting the help of stylist Robbie Spencer once more, Petrou\Man designer Nicolas Petrou revealed his second collection to date with a presentation. Inspired by the idea of nomads and their many travels, Petrou turned to suiting as the canvas of his abstract art. Representative of the journey of his nomad, Petrou weaved together an intricate mix of patterns and fabrics for a colorful venture that juxtaposes tradition with the currency of tomorrow.


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New York Fashion Week | Timo Weiland Fall 2010

Written by Carl on Tuesday, February 16th, 2010 | 2010, ethan james, fall, fall 2010, jonatan frenk, lookbooks/presentations, new york fashion week, paul boche, robbie wadge, shaun haugh, taylor fuchs, timo weiland   

The Age of Innocence meets Gangs of New York for the latest outing from New York-based designer Timo Weiland. Working with co-designer Alan Eckstein, Weiland turned to precise proportions and exquisite tailoring to portray their idea of dressing as an art. Using texture to their advantage, the basis of the collection centers around the grounding of the suit as casual, while sharp outerwear takes a more formal approach–cast in both wools and knits. Altogether, fall’s venture succeeds in gracing everyday wear with a touching sense of refinement.


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New York Fashion Week | Antonio Azzuolo

Written by Carl on Sunday, February 14th, 2010 | 2010, alexandre cunha, antonio azzuolo, bastiaan ninaber, brady donnelly, ethan james, fall, fall 2010, james hampson, jonatan frenk, lookbooks/presentations, luke stevens, new york fashion week, paul boche, trent kendrick   

Leaving his dandy behind, Antonio Azzuolo takes a trip west this fall. Combining quirky knits with suiting separates, Azzuolo breaks with structure and shows a more casual side for a change. Going the way of unexpected, the collection evokes a retro vibe in favor of the excitement provided by a second life and new uses. Also tipping the scales in favor of trends, leggings find their way into the collection, being paired with suiting trousers. Altogether, fall’s collection brings together an unusual grouping of aesthetics that will prove to either be a hit or miss.


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New York Fashion Week | Robert Geller Fall 2010

Written by Carl on Saturday, February 13th, 2010 | 2010, Runway, Stas Svetlichnyy, aiden andrews, bastiaan ninaber, charlie westerberg, christian brylle, fall, fall 2010, isaac carew, jakob hybholt, james hampson, joseph culp, lenz von johnston, marcel castenmiller, mark cox, mathias bergh, matthew hitt, matvey lykov, new york fashion week, paul boche, pavel baranov, robbie wadge, robert geller, taylor fuchs, tomek szczukiecki, tyler riggs, william eustace   

Positioned as “a tribute to the beauty of mixing wardrobe elements that don’t always seem to fit”, Robert Geller’s latest collection fused the utmost sophistication with the effortless finesse of the downtown beatnik. Playing with fitted and relaxed looks, Geller sent a well-proportioned range down the runway that moved as well as it was styled. Dressed in lilacs, charcoals and greens, Geller’s man was on the move, quickly walking down the runway with an extra bounce in his step. From fur shawls and leather jackets to the cropped asymmetrical cape, the collection produced a modern wardrobe of clarity. Tailoring and great fabrics spoke to the classic sense of the gentleman, but Geller turned this notion on its side, infusing the range with a rebellious quality. For every sleek evening coat, Geller sent out a striking modern piece, whether it was a shrunken dinner jacket or layered blazer. Rounding out fall’s collection, the show closed with a somber number consisting of a cape, elongated top and simple denim. It was the image of the quintessential Robert Geller man–a romantic thought born from the conversation of yesterday and the future.


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