
Following up on last season’s presentation with a fall debut on the Parisian catwalk, Acne looked to a higher education for an unusual change of pace. Gravitating towards the anti-trend, Acne creative director Jonny Johansson offered a relaxed take on the suit, looking to infuse the mature standby with the label’s youthful touch. Breaking with the monotony of the two-piece suit, the collection seamlessly mixed in separates, ranging from long coats and layered tops to sweatshirts, encompassing a casual tour of the world’s fashion capitals.

Abandoning his trademark skinny suit and staging a lavish feast for fall’s production of a show, Thom Browne took guests on a trip back to colonial days. While models dined on slim pickings, Browne served up a generous helping of coordinated separates with a focus on volume. From puffed sleeves and wide-fitted knickers to trailing trains, the collection brought forth the typical drama tenfold. Although intensive work with silhouettes may have stolen the show, shearling, mohair and wool formed a rich wardrobe of layers, ready to be unpacked for yet another dynamic season from Thom Browne.

Yigal Azrouël joins Phillip Lim in changing venues from New York to Paris for his latest showing. Blending his casual aesthetic with militaristic aspirations, Azrouël showcased a distinctive uniform of layered dark hues. Deconstructing smart essentials, a halved tie and button-down made quite the stir with a shrunken collar and the juxtaposition of strikingly modern knits as well as outerwear. Altogether showcasing an effortless style and a push for more formality, Yigal Azrouël’s fall 2011 collection came together with an effective edit of the label’s short narrative.

Armed with galactic aspirations and a penchant for rock ‘n’ roll styles, Paul Smith imagined an eclectic future for his man. Ready for a journey to the moon, pants accented with zippers were paired with psychedelic prints for a fun fall adventure. Taking the typical blueprint of a Paul Smith collection and amplifying the details, lapels as well as hems found a drastic makeover with foreign cuts and a touch of moon dust. Pumping up the volume as a nod to spacesuits but still keeping a tidy shape, Paul Smith’s quirky fall outing no doubt impressed, coming to the perfect completion with futuristic necklaces as the perfect accessory.

Turning the season’s sixties inspirations inside out, there was definitely subversive elements at work for Yves Saint Laurent creative director Stefano Pilati’s latest collection. Playing a mischievous hand at modesty, Pilati blended a formal outing with his exaggerated silhouettes for a cheeky tension of pieces. From relaxed to fitted in terms of shape and a shift in details, ranging from a lack of lapels to enlarged lapels, the collection became a game of changing elements. Regardless of direction, fall’s lineup exercised restraint for a cohesive showing of rigid formality unpacked.

Opting for a season of classics for his latest showing, Lanvin creative director Lucas Ossendrijver had a simple purpose at hand. Bring subtle shifts of modernity to luxurious staples while highlighting the Lanvin man in an iconic stetson. Ready to take the plunge with bungee cords as the key accent, Lanvin’s man hit the carpeted catwalk with a solemn demeanor and endless cool. Taking in the fine details, Ossendrijver energized menswear essentials with volume and an attention to lines. For the easy knit, a dropped asymmetrical line made the standby fresh again, while trousers took on a life of their own with smooth billowing silhouettes. Meanwhile, oversize coats boasted concealed buttons and raw edges. Employing sheen fabrics and a chic bow-tie, the Lanvin man was ready for a fine evening out when not utilizing other technical fabrics for the spontaneous outdoor excursion. One part elegance and another adventure, Ossendrijver’s fall collection came together with a well executed vision for a contemporary take on the classics with Lanvin’s signature style.