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This article was written on Jun 25, 2009 by and is filed under 2009, 2010, ash stymest, jean paul gaultier, paris fashion week, runway, spring, spring 2010, tyler riggs.

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Jean Paul Gaultier Spring 2010

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Known for rebelling against the hand of con­for­mity, it is not a sur­prise that the Jean Paul Gaultier spring 2010 col­lec­tion breaks with tra­di­tional gen­der roles. Solid skirts and bustiers sea­son an eclec­tic mix of reverse col­or­ing, hor­i­zon­tal gra­di­ents and both prison and nau­ti­cal stripes. The bustier acts as the collection’s cen­tral piece – appear­ing under­neath a great deal of blaz­ers as well as on its own. Con­trast­ing trim adds depth to a col­lec­tion geared towards a younger adven­tur­ous con­sumer. Bold and weight­less, the collection’s sheer jack­ets are no sur­prise. If the afore­men­tioned ele­ments are not enough to war­rant vari­ety, Gaultier throws denim into the mix, not only cut­ting out swatches of fab­ric, but incor­po­rat­ing a tan­gled arrange­ment of bondage straps. As a final note, the collection’s per­sis­tent use of translu­cent Con­verse solid­ify its intended reach for a younger audi­ence who is will­ing to put their trust in Gaultier, lay back and enjoy the ride.

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  • Anon

    I feel like the very last look should have been the start­ing point. The rest, I felt like I had seen it before, and could see a trendy per­son wear­ing it right now in Paris or Lon­don. The last look shows us, I think, true (or at least closer-​​to) androg­yny – the other uses of the bustiers were ridicu­lous, more drag than (good) design, not to men­tion they were paired with pretty much ordi­nary pants/​jackets and (ugh) over-​​used Con­verses, so that the bustier says, “Hey, I’m not to be taken seri­ously, I’m just another “shock­ing” thing to be shown on cat­walks so peo­ple say ‘Oh he’s inno­v­a­tive’ but then never really be sold, or sold along­side better-​​selling clothes”. Not only is the last look androg­y­nous, its pro­por­tions are also dif­fer­ent, it shows good design, and it’s sim­ple (remem­ber Occam’s razor?). Of course part of it is the (rather feminine-​​looking) model, but it was refresh­ing to see after a whole col­lec­tion of var­i­ous inter-​​collection trends (prison stripes) and annoy­ing add-​​ons that won’t make it to stores. Why can’t design­ers be hon­est? Either show sure-​​sell, trendy, and con­tem­po­rary pieces, the ones that make it to stores any­way for such big design­ers, or show inno­v­a­tive pieces that show good, forward-​​thinking design and are unfa­mil­iar to all who see and buy them.

  • Anon

    I feel like the very last look should have been the start­ing point. The rest, I felt like I had seen it before, and could see a trendy per­son wear­ing it right now in Paris or Lon­don. The last look shows us, I think, true (or at least closer-​​to) androg­yny – the other uses of the bustiers were ridicu­lous, more drag than (good) design, not to men­tion they were paired with pretty much ordi­nary pants/​jackets and (ugh) over-​​used Con­verses, so that the bustier says, “Hey, I’m not to be taken seri­ously, I’m just another “shock­ing” thing to be shown on cat­walks so peo­ple say ‘Oh he’s inno­v­a­tive’ but then never really be sold, or sold along­side better-​​selling clothes”. Not only is the last look androg­y­nous, its pro­por­tions are also dif­fer­ent, it shows good design, and it’s sim­ple (remem­ber Occam’s razor?). Of course part of it is the (rather feminine-​​looking) model, but it was refresh­ing to see after a whole col­lec­tion of var­i­ous inter-​​collection trends (prison stripes) and annoy­ing add-​​ons that won’t make it to stores. Why can’t design­ers be hon­est? Either show sure-​​sell, trendy, and con­tem­po­rary pieces, the ones that make it to stores any­way for such big design­ers, or show inno­v­a­tive pieces that show good, forward-​​thinking design and are unfa­mil­iar to all who see and buy them.

  • Anon

    I feel like the very last look should have been the start­ing point. The rest, I felt like I had seen it before, and could see a trendy per­son wear­ing it right now in Paris or Lon­don. The last look shows us, I think, true (or at least closer-​​to) androg­yny – the other uses of the bustiers were ridicu­lous, more drag than (good) design, not to men­tion they were paired with pretty much ordi­nary pants/​jackets and (ugh) over-​​used Con­verses, so that the bustier says, “Hey, I’m not to be taken seri­ously, I’m just another “shock­ing” thing to be shown on cat­walks so peo­ple say ‘Oh he’s inno­v­a­tive’ but then never really be sold, or sold along­side better-​​selling clothes”. Not only is the last look androg­y­nous, its pro­por­tions are also dif­fer­ent, it shows good design, and it’s sim­ple (remem­ber Occam’s razor?). Of course part of it is the (rather feminine-​​looking) model, but it was refresh­ing to see after a whole col­lec­tion of var­i­ous inter-​​collection trends (prison stripes) and annoy­ing add-​​ons that won’t make it to stores. Why can’t design­ers be hon­est? Either show sure-​​sell, trendy, and con­tem­po­rary pieces, the ones that make it to stores any­way for such big design­ers, or show inno­v­a­tive pieces that show good, forward-​​thinking design and are unfa­mil­iar to all who see and buy them.

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  • http://www.theend.gr aris

    the best desinger of times..

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    the best desinger of times..