Week in Review: Androgyny’s Trajectory

Posted 2 years, 11 months ago on June 19, 2009 by

oster2 Week in Review: Androgynys Trajectoryoster8 Week in Review: Androgynys Trajectory

Lina Öster­man Fall 2009

This past week saw a spate of Fall 2009 col­lec­tions which, cumu­la­tively, did lit­tle to dis­rupt the recent trends in men’s fash­ion: if they’re not going for black, then they’re going for androg­yny. Given I have a bias in favour of both move­ments (Sonny Groo is my style icon after all), I found a lot to admire in the last 7 days.

For starters, there’s Lina Österman’s sec­ond col­lec­tion, which offers a sen­si­bil­ity vastly dif­fer­ent from (the dif­fer­ence being adven­ture) that of Pudel, where she plays Cre­ative Director.

Her col­lec­tion has been crit­i­cized a lit­tle on Coûte Que Coûte for essen­tially pan­der­ing to the whims of fash­ion blog­gers, fail­ing to re-​​interpret the sup­pos­edly hack­neyed con­cepts of lace, shred­ding and, well, black. Mov­ing past the notion that black will never go out of style (even if we’d like it to), I think there is some merit in what Öster­man has on show. For one, she plays with expec­ta­tions. She avoids the time­worn addi­tion of epaulets and instead uses leather to define the shoul­ders; she pro­vides us with shred­ding and sheer­ness in places that, wait for it, might actu­ally be appro­pri­ate; and she embell­ishes denim, rather than tear­ing it. Where Öster­man suc­ceeds most, though, is in her restraint. The col­lec­tion embraces a Gothic flair with­out ever descend­ing into the wild, less acces­si­ble (but per­haps more inter­est­ing?) the­atre that goth­icism often thrives on. (That doesn’t mean we didn’t love this over at Con­tribut­ing Editor.)

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“Brilliant Tar” — Noize Fall 2009

Posted 2 years, 11 months ago on June 16, 2009 by

noi Brilliant Tar   Noize Fall 2009

“Bril­liant Tar” is the fourth col­lec­tion from unisex-​​friendly Japan-​​based label, Noize. With a pen­chant for the decon­structed and on a mis­sion to “break through the bar­ri­ers of soci­ety and cul­ture”, there is a vested inter­est in the details of the col­lec­tion. Tak­ing to a black color palette, the col­lec­tion cen­ters around com­plex pre-​​wrinkled mate­ri­als, vary­ing pro­por­tions and cre­ative dying processes to cre­ate sep­a­rates that are suit­able for mix­ing and match­ing. Deliv­er­ing a spe­cific Gothic-​​influenced aes­thetic, Noize is the per­fect com­pan­ion label for Rick Owens’ devotees.

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