Boy Kortekaas by Tomas Vandecasteele for Tim Van Steenbergen Spring 2012

Posted 8 months, 9 days ago on September 18, 2011 by

tvs1 Boy Kortekaas by Tomas Vandecasteele for Tim Van Steenbergen Spring 2012

The Per­fect Wardrobe–For the spring 2012 sea­son, Tim Van Steen­ber­gen relaunches his menswear col­lec­tion with Boy Kor­te­kaas, pho­tographed by Tomas Van­de­cas­teele. Inspired by a per­fect day in a man’s life, the col­lec­tion con­tains every­thing from t-​​shirts and trousers to suits, com­plete with a scarf and beanie. Using a color palette of pre­dom­i­nantly neu­trals with a few pri­mary col­ors and green accents thrown in, Van Steen­ber­gen negates the fuss of prints by using them sparingly.

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Tim Van Steenbergen Fall 2010

Posted 2 years, 0 months ago on May 16, 2010 by

timfall0 Tim Van Steenbergen Fall 2010

A peace­ful look at Tim Van Steenbergen’s lat­est col­lec­tion proves that looks can be deceiv­ing. Inspired by the motion of sculp­tor painter Lucio Fontana, an eclec­tic col­lec­tion thrives in the details. While knits pro­vide a worn-​​in char­ac­ter, treated leather offers a sharp con­trast to asym­met­ri­cal shirt­ing. Mean­while, pants of fit­ted and relaxed vari­eties demon­strate the collection’s ver­sa­til­ity, while acces­sories com­plete Tim Van Steenbergen’s taste­ful pen­chant for bal­anc­ing acces­si­bil­ity with a desire to push design forward.

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Preview | Tim Van Steenbergen Fall 2010

Posted 2 years, 4 months ago on January 20, 2010 by

timspreview Preview | Tim Van Steenbergen Fall 2010

By the time I get to Phoenix she’ll be ris­ing
She’ll find the note I left hangin’ on the door
She’ll laugh when she reads the part that says I’m leavin’
’Cause I’ve left that girl so many times before” –Glenn Campbell

Source | Tim Van Steenbergen

Fall 2009 | Tim Van Steenbergen

Posted 2 years, 6 months ago on November 17, 2009 by

timvansteenbergen18 Fall 2009 | Tim Van Steenbergen

Bel­gian designer Tim Van Steen­ber­gen demon­strates his keen eye for design with his cur­rent fall col­lec­tion. Moved by the intri­cate details found in nature, the designer has fash­ioned a col­lec­tion that com­bines unique, but sub­tle cuts with var­ied tex­tures. Based in an appro­pri­ate color palette of earth tones, the collection’s details are best high­lighted. At first sight, sculpted hoods make quite the pow­er­ful state­ment, while the designer’s point of view con­tin­ues to be car­ried out with the effort­less drap­ing of fab­ric and care­ful place­ment of but­tons. Whether in the pleats of a coat or in the details of how a lapel falls, the col­lec­tion finds the ideal har­mony between the essen­tials and the shap­ing of tomorrow’s fashion.

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