Fall 2010 | Whyszeck

Swedish label Whyszeck main­tains its casual roots for the fall 2010 sea­son with a relaxed col­lec­tion, fit for the every­man. Tough­ing it out in lay­ers of black, gray and brown, it is not dif­fi­cult to imag­ine the Whyszeck man liv­ing a sim­ple life of hunt­ing, fish­ing and like minded activ­i­ties. Whether dressed in a cam­ou­flage field jacket and fatigues or sport­ing a pea­coat, Whyszeck’s rugged man cap­tures the charm of mas­culin­ity at its core, pro­vid­ing the season’s essen­tials for the no-​​fuss personality.

Whyszeck Spring 2010 Preview

Whyszeck’s fall 2009 col­lec­tion took the less trav­eled intel­lec­tual approach to arrive at its par­tic­u­lar ded­i­ca­tion to form and color. Con­tin­u­ing along this path, the spring col­lec­tion widens its scope to reflect on Whyszeck’s his­tory with a healthy serv­ing of nos­tal­gia. Crafted under the title, “The white noise dis­turb­ing you on the sea of nos­tal­gia”, the col­lec­tion takes into account the world’s eco­nomic plight, but leaves room to cel­e­brate Whyszeck’s tenth col­lec­tion, which fit­tingly takes place with the spring 2010 sea­son. Firmly rooted around the label’s idea of “Pro­gres­sive casu­al­ism”, the upcom­ing col­lec­tion takes a gan­der at rein­ter­pret­ing iconic worker clas­sics. Exer­cis­ing restraint with the utmost sub­tlety, the range takes on every­thing from the car­pen­ter shirt to the motor­cy­cle jacket…

Whyszeck Fall 2009 — Part II

Versa­til­ity, style and prac­ti­cal­ity are three of the qual­i­ties that con­tribute to the allure of Whyszeck’s fall col­lec­tion. The col­lec­tion allows room to breathe and grow a wardrobe with relaxed trousers, casual knits, clean shirts, util­i­tar­ian out­er­wear, and smart chic suit­ing sep­a­rates. Although min­i­mal in nature, the col­lec­tion includes the high degree of taste and option nec­es­sary to tran­si­tion from day to night — from one occa­sion to the next. Over­all, Whyszeck’s fall col­lec­tion is a clever selec­tion of inte­grable pieces that fall in line with con­tem­po­rary fash­ion, while still exhibit­ing a sense of timelessness.

Review: PART I, A CLOSER LOOK

Whyszeck Fall 2009 — Part I

The lat­est col­lec­tion from Whyszeck looks towards the past for a cre­ative direc­tion. Tak­ing inspi­ra­tion from the artis­tic dif­fer­ences between Theo van Does­burg and Piet Mon­drian, the con­cept of Neo-​​Plasticism cre­ates the frame­work for the fall col­lec­tion. Neo-​​Plasticism was rooted in the appeal of abstrac­tion and saw a return to the impor­tance of form and color. This meant the strict use of hor­i­zon­tals and ver­ti­cals along­side black and white. Theo van Does­burg later rede­fined Neo-​​Plasticism as Ele­man­tarism to incor­po­rate the use of diag­o­nals, “col­orized with dis­so­nant col­ors.” Whyszeck engages these the­o­ries in a mod­ern con­text through the use of “Neo-​​plastic” knit pat­terns, atten­tion to line detail, and respect to color. Moti­vated by van Doesburg’s “Counter-​​Composition XIII”, the col­lec­tion incor­po­rates vari­ants of gray, black, and earth flushed tones for its color palette. The afore­men­tioned ele­ments com­bine to cre­ate a min­i­mal, but smart col­lec­tion suited for all aspects of the mod­ern man’s life…

Review: PART II, A CLOSER LOOK

Whyszeck Spring 2009

Stripes are plen­ti­ful, shirt col­lars are small, but­tons play hide and seek, and the trousers are not the only cropped item. This sea­son, Swedish label Whyszeck keeps it sim­ply clas­sic with a splash of nau­ti­cal flair. The youth­ful col­lec­tion is seri­ous when it needs to be, show­ing smart clean cropped blaz­ers, while at other times, embrac­ing spon­tane­ity with delight­ful pieces like the red col­lar­less leather jacket.

Whyszek Fall 2008

Inspired by archi­tec­ture, music, and its sub­cul­ture, Whyszeck is an inter­est­ing label based out of Stock­holm.  It orig­i­nally started as a band and “rean­i­mated into a fash­ion label.”  Whyszek’s fall col­lec­tion con­sists of nice, time­less clean cuts and a palette of var­i­ous grays.

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