
Leather’s Gentleman–Crafting a uniform from leather, Yves Saint Laurent creative director Stefano Pilati looked to a sleek new wardrobe to outfit his man for the fall/winter 2012 season. Taking the more fitted road this time around with subtle gestures at draping, the collection morphed from tailored and refined to ensembles infused with a modern edge. Featuring crisp lines, overcoats in charcoal and black balanced out provocative undertakings, ranging from pleated leather trousers to a waistcoat lined with fur. Transitioning to a loose, slouchy moment with long-sleeved shirting that at once felt futuristic, leather again became the prime focus with pure unsaturated pieces ending the show with a youthful flair.

The Face–Success up and comer Baptiste Radufe makes a splash landing Yves Saint Laurent’s new spring/summer 2012 campaign. Photographed by David Sims, the French model dons leather for a menacing first appearance. / Styling by Joe McKenna.

The New Sophisticate–One of our latest buzz boys, Alexander Beck proves his worth, taking up the leading role in Yves Saint Laurent’s fall 2011 campaign. Photographed by Inez & Vinoodh, the Bananas model reaches new heights in sharp suiting and a voluminous coat for good measure.

Tomorrow’s Leading Man–On the fast track to the top, Ford Europe model Robin Ahrens follows up a stellar runway season and fall’s first campaign for the budding star with a striking image for Yves Saint Laurent. Photographed by Karim Sadli, Robin takes front and center for Yves Saint Laurent’s fall 2011 accessories campaign.

Pilati’s Stroke of Simplicity–Putting aside his minimal approach to design for a moment, Stefano Pilati turns his focus to the fundamentals of constructions this season for Yves Saint Laurent. Classic principal silhouettes in the forms of sharply tailored jackets with strong lapels, masculine shoulders and slender trench coats were married with Pilati’s love for exaggerated proportions, featuring voluminous tops and pleated trousers. Meanwhile, button enclosures and lace detailing found its way onto safari jackets and loosely fitted shirting with hints of exotic python leather in footwear as well as belts for a subtle touch of luxury, conveying Yves Saint Laurent’s understated sophistication.
Sneaker Times–Following his film for this season’s eyewear from Yves Saint Laurent, Karim Sadli captures a look at the label’s lineup of sneakers with the help of stylist Benjamin Bruno. Capturing another striking affair, this time around, Malthe Lund Madsen (Ford Europe), Julius Gerhardt (Success) and Angus Whitehead (Select) are center stage. / Hair by Franco Gobbi (Artlist) with makeup by Victor Alvarez (Artlist).
Yves Saint Laurent founded his eponymous label with his then partner, Pierre Bergé, in 1962. The French luxury fashion house became the catalyst for women dawning on the the classic tuxedo, Le Smoking suit. Saint Laurent also popularized safari jackets, shirt dresses, the beatnik look, and the iconic Mondrian dress. He was recognized as one of the first designers to feature black models on his runway shows. In 1993, Yves Saint Laurent was sold to a pharmaceutical company for $600 million before it was acquired by the Gucci Group in 1999. Alber Elbaz took over as the creative director of the prêt-a-porter line Rive Gauche in 1998, while Saint Laurent remained as the designer of his couture collection until his retirement in 2002, which also marked the closing of the couture house. After three seasons, Elbaz was succeeded by Tom Ford, who introduced a much sexier and provocative interpretation of the French house. After the departure of Ford in 2004, Stefano Pilati was brought on as the new designer for Yves Saint Laurent, who returned to the roots of the label, favoring a more French style than Ford’s heightened sexy appeal.