
High Ambitions–Ready for new heights, designer Kean Etro looked to the mystical Pegasus as the starting point of his latest collection. Marrying the extravagant use of feathers to Etro’s signature prints, the rich affair brought forth quite the avid imagination. Beginning the show with eveningwear, monotone brocade gave way to not only richer prints, but feathers turned out as jackets, scarves, ties and other pieces. From the dark palette of gray and black to a sampling of the warm sun’s rays, Etro explored the color spectrum, even going as far as a fiery red. From overcoat and vest to shoes, the devil was in the details. Masterfully mixing prints and textures, the collection was presented with personality, depth and ultimately the fine qualities of the modern-day gentleman.

The Afterparty–Apparently the world is nearing the end of its course and temperatures our dropping, so if course Vivienne Westwood would be the perfect candidate to give her take on the situation. Mixing her signature brand of quirky with rather conservative instruments, the fall/winter 2012 outing bridges the gap between eccentric and accessible. While a timeless mode of dress is acquired by tailored suiting and outerwear in subdued tones, personality is delivered in spades when approaching the more elaborate garments. Playing with patterns and layering for an end of the world freeze, Westwood plays a charming hand, creating a world where the fur coated gentleman can co-exist with the pattern mixing deviant who boasts a penchant for off the cuff silhouettes.

Apocalypse Now–Emporio Armani gravitates towards the darker side of fall with a somber hued showing for the new season. Mixing a retro attitude with Armani’s brand of modern, a laid-back wardrobe of essentials come together with an array of arresting accessories for plenty a piece to entice the stylish. Donning an oversize beret tipped to the side or a hooded scarf, the man of Emporio Armani calls attention to an empowered lineup that explores various silhouettes and cuts, while also propelling the timelessness of staples like the pinstriped suit.

Excess to Light–Frankie Morello takes their man on a journey for the fall/winter 2012 season. Showing the latest collection in three different stages, a moment of excess represents hectic city life, complete with materialism. Richly adorned, tapered suiting sets the ground work for an exploration of self, translated into subtle gradients followed by exotic prints. Paired with charming boots, a more casual wardrobe emerges as shorts, shirting and lightweight jackets make a bold move against the season cool. Evolving into the utmost stage of simplicity, colors and prints eventually give way to a more quiet dimension, illustrating the season’s final canvas.

The Great Tailor–Kicking off Milan Fashion Week, Corneliani takes to the runway with a sea of somber gray, navy and a hint of winter white. Fusing voluminous billowing silhouettes with a knack for tailoring, classics come across with a laid-back sartorial essence. From outerwear with oversize lapels to a cape, trimmed with fur or a cardigan tied at the waist, the Corneliani man possesses an undeniable elegance, fused with a certain practicality. Whether it’s a coordinated suit or sweater and pleated trousers, the Italian label furnishes an aesthetic that masters the ideal balance of purpose and style. Rounding out sharp two-button suits, double-breasted coats and lush knits with a strong suit in textures, Corneliani presents a season, marrying tradition to a relaxed modern attitude.

Welcomed Sighting–Before the kickoff of fashion week, photographer Sara Cimino captures a round of models outside Frankie Morello’s fall/winter 2012 casting. From laid-back to spruced up, favorites, new and old were abound, ranging from Francisco Lachowski and Hans Hatt to Sebastian Sauve.

Francisco Lachowski is a popular Brazilian model, who rose to fame shortly after winning Supermodel Brazil in 2008. He is signed with Ford Models.