L’uomo Vogue Cover | Jethro Cave

Source | Bananas Mod­els

Milan Fashion Week | John Varvatos Fall 2010

The black suit encom­passes John Var­vatos’ com­fort zone this sea­son as he mar­ries goth and rock ‘n’ roll for a straight-​​forward col­lec­tion. Aim­ing to soften a harsh black look, browns and pur­ples inter­twine as crushed fab­rics find peace amongst sheer knits and frag­ile acces­sories. Alto­gether, Var­vatos crafts a strong thin sil­hou­ette with mod­ern appeal.

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Fall 2010 | Costume National Homme

Wrap­ping up the first day of Milan Fash­ion Week, it looks like the color black is here to stay. The lat­est from Cos­tume National Homme seems to find solace in the gloomy color. Seek­ing to under­cut the seri­ous­ness of all suit­ing, the label turns to semi-​​relaxed sil­hou­ettes, draw­string trousers and knit com­po­nents. The results include a play­ful exe­cu­tion of knit hybrids, but ulti­mately the range’s sub­tle details tend to be hin­dered by the absence of color, which would have eased the sever­ity of this season’s black­out effect.

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Year in Review | Top Ten Models – Most Viewed

1. Josh Beech /​ 2. Cole Mohr
3. Ash Stymest /​ 4. Sean O’Pry

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Boys Will Be Toys | Jethro Cave by Elvis Di Fazio

Sophie Will­ing makes use of Jethro Cave as her play toy for their seedy shoot pho­tographed by Elvis Di Fazio for Filep Motwary’s Un nou­Veau iDEAL. Scant­ily clad, the duo are styled by Ste­fanie Wilcox. The racy spread is inspired by Pieres Atkinson’s Sex on the Brain col­lec­tion. Rwad more about it here (NSFW).

Note — Nudity

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Spring 2010 | Alex & Jethro for Paul Smith Red Ear

Look­ing to cap­ture the essence of rebel­lious youth, next year’s spring col­lec­tion from Paul Smith Red Ear solid­i­fies its point with the cast­ing of Alex Dun­stan and Jethro Cave. Coor­di­nat­ing a dopey mix of tops and bot­toms with a quirky splash of color and prints, Paul Smith takes famil­iar pieces in a new direc­tion. Trop­i­cal and pais­ley prints, which are typ­i­cally seen in con­nec­tion to an older gen­er­a­tion rep­re­sent a youth­ful whim in this con­text. Play­ing with pro­por­tion and color, Paul Smith crafts a spe­cial niche for a gen­er­a­tion who are will­ing to take risks with a mix of old and new.

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