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This article was written on Jan 22, 2010 by and is filed under 2010, aiden andrews, bastien bonizec, fall, fall 2010, florian pessenteiner, frey mudd, kristian akergren, matthew hitt, paris fashion week, paul boche, rick owens, runway, yuri pleskun.

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Paris Fashion Week | Rick Owens Fall 2010

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The men­tion of Rick Owens may evoke images of the edgy rebel clad in head-​​to-​​toe black, but with­out appar­ent effort, the designer cre­ates a chic vision for fall. Min­i­mal and unaf­fected under con­straint, Owens turns to clay tones for a wide spec­trum of soft yet mas­cu­line looks. While fun­nel col­lars come in all shapes and sizes, Owens’ earthy lay­er­ing looks to tex­ture and winged shapes for pur­pose. Build­ing off of a fall wardrobe that is not afraid to bare arms, the col­lec­tion takes spe­cial aim at tanks and sleeve­less knits, before round­ing off the sea­son with boots dressed in a dar­ing rep­tile print.


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  • Buddy Sue

    quite pos­si­bly the SCARIEST mod­els ive ever seen

  • Buddy Sue

    quite pos­si­bly the SCARIEST mod­els ive ever seen

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  • christo­pher

    it really goes to show you how much these houses are in sur­vival mode when even mr. owens is show­ing pieces that look like they could have come out of armani.

    • hybrids

      sad but true

  • christo­pher

    it really goes to show you how much these houses are in sur­vival mode when even mr. owens is show­ing pieces that look like they could have come out of armani.

    • hybrids

      sad but true

  • George

    Those snake­skin pat­terned boots some­how remind me of McQueen’s last women collection

  • George

    Those snake­skin pat­terned boots some­how remind me of McQueen’s last women collection

  • creww

    well the clothes are ok, pretty owens style but WTF these mod­els? i couldnt even pay the right atten­tion to the clothes…

  • creww

    well the clothes are ok, pretty owens style but WTF these mod­els? i couldnt even pay the right atten­tion to the clothes…

  • http://clancynacht.com Clancy Nacht

    I like this col­lec­tion, and not just because Paul Boche is walk­ing it.

    I was pre­pared to find it drab and bor­ing, but it has a sort of post-​​apocalyptic feel with the earth tones and ani­mal skins. I like the lit­tle splashes of metal­lic fab­rics as well. I can take or leave those snake­skin boots, they do add some splash to some of the more somber out­fits. I’m lov­ing the croco-​​skin ones. And that jacket.

    • won­der­boy

      so Amer­i­can…

  • http://clancynacht.com Clancy Nacht

    I like this col­lec­tion, and not just because Paul Boche is walk­ing it.

    I was pre­pared to find it drab and bor­ing, but it has a sort of post-​​apocalyptic feel with the earth tones and ani­mal skins. I like the lit­tle splashes of metal­lic fab­rics as well. I can take or leave those snake­skin boots, they do add some splash to some of the more somber out­fits. I’m lov­ing the croco-​​skin ones. And that jacket.

    • won­der­boy

      so Amer­i­can…

  • Ser­ian

    He shows the evol­tuin of ‘Corduoroy’

  • Ser­ian

    He shows the evol­tuin of ‘Corduoroy’

  • http://www.modelmayhem.com/1325300 Vasquaz

    I was expect­ing some­thing a lit­tle more mono­chro­matic and shape­less too, but I am so pleas­antly sur­prised! Not that I ever dis­liked the black-​​on-​​black!

    I’m lov­ing the crisp, clean lines and the pre­ci­sion cutting.

  • http://www.modelmayhem.com/1325300 Vasquaz

    I was expect­ing some­thing a lit­tle more mono­chro­matic and shape­less too, but I am so pleas­antly sur­prised! Not that I ever dis­liked the black-​​on-​​black!

    I’m lov­ing the crisp, clean lines and the pre­ci­sion cutting.

  • hybrids

    dis­ap­point­ing to say the least. instead of look­ing for­ward he’s loos­ing the edge /​ cool. other design­ers ‚influ­enced by him, are car­ry­ing his orig­i­nal vision for­ward bet­ter. this col­lec­tion is too ‘reac­tionary’ to oth­ers work thus loos­ing his own design identity.

  • hybrids

    dis­ap­point­ing to say the least. instead of look­ing for­ward he’s loos­ing the edge /​ cool. other design­ers ‚influ­enced by him, are car­ry­ing his orig­i­nal vision for­ward bet­ter. this col­lec­tion is too ‘reac­tionary’ to oth­ers work thus loos­ing his own design identity.

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