
A Glowing Response–Benjamin Eidem of Request appears for the beauty cover of Vogue Hommes Japan, wearing a fur hat among an intensive spectrum of color, captured by Richard Burbridge./Styling by Robert Spencer with makeup by the notable Peter Phillips.

Photographer Richard Burbridge and stylist Robbie Spencer bring their collaboration stateside for VMAN’s upcoming issue that is slated to hit newsstands tomorrow. Capturing a cheeky take on a love that knows no age, Wes Phillips, Pauline Van Der Cruysse, Matt Norklum, Berthil Espegren, Gwen Loos and Kim Iglinsky come together for a comic book style spread.


A fixture once more in editorials and campaigns, Tony Ward covers the latest issue of 10 Men as photographed by the talented Richard Burbridge.

Dazed & Confused fashion editor Robbie Spencer tackles the fall collections in a delightfully disturbing story photographed by Richard Burbridge. Manufactured as the season’s war heroes, Aiden Andrews, Anthony Murrell and Taras Koltun don the latest from an eclectic range of labels, canvassing everyone from Roberto Cavalli to J.W. Anderson.

AJ Abualrub and Emma Dumont photographed by Richard Burbridge for V #64

Dazed & Confused is one of the few magazines that are consistent in pushing the envelope and providing a mode for menswear to be expressed in a fashion that is not plagued by the superficial. As Lyle Lodwick explains, “it’s really smart the way Dazed takes a group of artists, all at the top of their game, throws them into a studio with a canvas (the model) and knows that some insane collaboration will be the final product.” Having been featured several times in Dazed & Confused, one of Lyle’s most memorable shoots was his work with Richard Burbridge for this past October’s issue. He recalled the shoot’s “incredible team, which is why the pictures turned out so rad. The legendary Christiaan Houtenbos did the hair and headpieces; Peter Philips, global creative director for Chanel did the makeup, Robbie Spencer from Dazed styled it and [if course] Richard Burbridge…” Although the end results made for a dynamic shoot, there was no gain without pain. “The shoot was about ten hours straight and [Lyle] was the only model, so in between each shot, [they] had to remove all of the makeup and paint to clear the pallet for a completely new concept…” As anyone can imagine, “by the end of the day, [his] skin was really red and hurt a bit”, but it was all in a successful day’s work.