The Backstage Project by Emilio Tini

Project Boy–Pho­tog­ra­pher Emilio Tini turns it out like no other can, approach­ing an ambi­tious num­ber of boys for a new filmed project enti­tled The Back­stage Project. Sit­ting for the black & white ses­sion are Adrien Sahores, Bap­tiste Radufe, Bas­ti­aan Van Gaalen, Char­lie Timms, David Hlinka, Duco Fer­w­erda, Ethan James, Greg Nawrat, Jakob Wiech­mann, James Chuter, Jamie Wise, Jesse Shan­non, Karl Mor­rall, Keno Wei­d­ner, Kim Dall’armi, Lenz von John­ston, Matt King, Milo Spijk­ers, Paris Nichol­son, RJ King, Sasha Weis­senborn, Thomas Buko­vatz, Tomek Sza­lan­ski and Vic­tor Nylan­der .

James Long Fall/​Winter 2012 | London Fashion Week

Earth Mat­ter–Look­ing to the work of Cana­dian pho­tog­ra­pher Edward Bur­tyn­sky for inspi­ra­tion, James Long found a rocky ref­er­ence after revis­it­ing Quar­ries. Trans­lat­ing stones and debris into a fan­tas­tic col­lec­tion start­ing point with fine tex­tures and rich col­ors, Long deliv­ered a visual treat. Hip and youth­ful, the range’s first sig­na­ture marker belonged to low slung trousers, crafted in volu­mi­nous fits. Paired with pan­eled out­er­wear, many fab­ri­ca­tions and prints came together, cre­at­ing sub­tle gra­di­ents and worn fac­tions. Weav­ing in a knit like no other, Long’s trade­mark made a strong impres­sion with del­i­cately exe­cuted pieces offer­ing a fierce point of view, whether paired with a tas­selled scarf or con­structed as a min­i­mal twin­set. Alto­gether, a cool effort for the designer, the col­lec­tion proved a suc­cess, exud­ing a unique effort­less atti­tude, com­ple­mented by excel­lent con­ti­nu­ity and workmanship.

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Charlie Timms & Karl Morrall by Mark Kean for Lyle & Scott Spring/​Summer 2012

Shore Style–Sum­mer arrives early as Lyle & Scott show­case their cur­rent lineup with pho­tog­ra­phy by Mark Kean. Pac­ing the beach-​​side, Char­lie Timms and Karl Mor­rall are styled by Elgar John­son. Sport­ing youth­ful styles with a British sen­si­bil­ity, the pair are out­fit­ted in madras-​​dressed sep­a­rates, gradient-​​dipped polo shirts, striped tees and other char­ac­ter pieces.

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Simon Spurr Fall/​Winter 2012 | New York Fashion Week

Eng­lish Root­ing–Look­ing for the foun­da­tion of his fall/​winter 2012 col­lec­tion, Simon Spurr turned to images of Lon­don by Robert Frank. Tak­ing into account early twen­ti­eth cen­tury style and head­ing down a mod­ern course, ref­er­ences that include Tommy Nutter’s rein­ter­preted suit of the 1960’s come into play as Spurr dis­sects suit­ing for a rel­e­vant edge. Bring­ing together rich bur­gundy, brown, navy and other solid col­ors for a col­lec­tion dressed in plaids and tweeds, sub­tle updates were intro­duced. From leather trousers and a mag­ni­fied hounds tooth print to a sig­na­ture pen­chant for fab­ric insets, Simon Spurr’s lat­est efforts resulted in a sound show­ing, high­light­ing a sar­to­r­ial flair jux­ta­posed with mod­ern sentiments.

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Tommy Hilfiger Fall/​Winter 2012 | New York Fashion Week

March­ing For­ward–The men of Tommy Hil­figer marched to a dif­fer­ent beat for the fall/​winter 2012 sea­son. Trad­ing in the Amer­i­can prep that Hil­figer has become so syn­ony­mous with, the lav­ish col­lec­tion read as a rich set off the run­ways of Europe. Bring­ing together bur­gundy and black, leather and shear­ling, Tommy Hil­figer was sim­ply rav­ish­ing. Armed with an aris­to­cratic flair, deli­cious tex­tiles deliv­ered a sharp arse­nal of arrest­ing pieces. Acces­sorized with leather rid­ing gloves, the show kicked off with tai­lored jack­ets and coats, func­tional and ready to be trans­formed at a moment’s notice, cour­tesy of tear away details. Cham­pi­oning the leather inset and bring­ing the elbow patch to the front for a divinely mod­ern look, the devil was in the details. From pleated trousers and sleeve detail­ing to a fetch­ing palette of muted tones, Tommy Hil­figer cre­ated an army for the mod­ern age, bring­ing the ulti­mate lux­ury to the Amer­i­can stage.

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Behind the Scenes | Daniele Alessandrini Fall/​Winter 2012

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