Massimo Dutti’s “Quiet Move” edit takes shape in the South of France, where architecture and attire share a mutual language. Photographer Felipe Romero Beltrán frames the meticulousness of tiled walls against garments that resist the noise of overstatement.
Massimo Dutti “Quiet Move” Edit
For Massimo Dutti, the tiles become more than a metaphor; they anchor the season’s sense of purpose—each piece a distinct unit in a greater, measured arrangement. Styled by Robbie Spencer, models Henry Kitcher and Aleksandr Buinitski navigate a wardrobe that favors restraint over spectacle.
The featured wardrobe gravitates towards silhouettes that revise traditional codes with clarity. A utilitarian jacket receives a softened approach, its shape relaxed through fabrication rather than design compromise.
Tailoring reappears not with shoulder pads but with purpose, recut through Mediterranean light and rendered in palettes that allow for subtle monochrome shifts. Footwear choices, including strapped sandals and minimal loafers, pull the looks closer to the earth.
Massimo Dutti’s previous edit flirted with the sea and sky through shades of blue and silhouettes that followed the wind. “Quiet Move” shifts that direction, preferring contrast to hue and grounding its message through materiality and shape.
There’s a modernist discipline to this edit—something reminiscent of Charlotte Perriand’s architectural humanism. Rather than dressing for a season, Massimo Dutti proposes dressing for clarity—and in doing so, sketches out a different kind of masculinity: composed, assured, and deliberate.
