Tod’s spring-summer 2025 turns down the noise and opts for quiet precision. Shot by Jack Day, Justin Eric Martin becomes the house’s leading figure, traversing city corners and track fields in refined staples that reflect the ease of Italian dressing.
The trench coat, reimagined with relaxed authority, moves from neutral-toned outerwear into breezy statements, paired with light denim or white trousers for a look that feels as rooted in Milanese restraint as it is in weekend readiness.
Tod’s Spring/Summer 2025
There’s a studied confidence to the Tod’s wardrobe—buttoned shirts in washed browns and dusty greys, lightweight cardigans, jackets with utilitarian pockets—anchored by footwear that keeps the Tod’s man quite literally grounded.
Desert boots in calfskin suede and leather loafers, polished to a soft sheen, signal a return to essentialism. It’s less sprezzatura and more about editing down the excess, taking cues from the way Marcello Mastroianni dressed off-duty: quietly sharp, subtly disheveled, always aware.
The result is a smart-casual uniform for a man who moves—sometimes on foot, sometimes in thought. In one look, an indigo cardigan recalls the intellectualism of ’60s Italian art students, paired with a backpack built for pace.
In another ensemble, burgundy driving shoes peek from beneath beige denim, grounding the modern trench with a pop of irreverence. This is Tod’s at its most agile: embracing leisure without losing form, stepping into the season with the kind of ease that only comes from knowing exactly who you are.
