The seasoned traveler and urban youth cross paths for V.ROM’s candy-coated spring venture. Light yet baggy, the Brazilian label gets swept up in versatile layers that tackle everything from denim and cargos to the nonchalant waistcoat. A collection of eclectic proportions, the lively range has a piece for everyone–delivering a little spring pep with bold prints and colors.
This collection is a good guideline for how I'm not going to dress this spring.
This collection is a good guideline for how I'm not going to dress this spring.
This collection is a good guideline for how I'm not going to dress this spring.
This collection is a good guideline for how I'm not going to dress this spring.
Bad day much?
Bad day much?
Bad day much?
Bad day much?
I am always amazed by how creative the Brazilian designers are. It feels exactly like London at the end of the 1990s, when everything there was extravagant, often unwearable – but led to the emergence of the most important generation of British fashion design: Richard James, Ozwald Boateng, Alexander McQueen, John Galliano, even the arguably less innovative Stella McCartney or Phoebe Philo.
Hopefully, from this, a few new Ocimar Versolatos will emerge (I have loved Versolato's work since his days at Lanvin).
I am always amazed by how creative the Brazilian designers are. It feels exactly like London at the end of the 1990s, when everything there was extravagant, often unwearable – but led to the emergence of the most important generation of British fashion design: Richard James, Ozwald Boateng, Alexander McQueen, John Galliano, even the arguably less innovative Stella McCartney or Phoebe Philo.
Hopefully, from this, a few new Ocimar Versolatos will emerge (I have loved Versolato's work since his days at Lanvin).
I am always amazed by how creative the Brazilian designers are. It feels exactly like London at the end of the 1990s, when everything there was extravagant, often unwearable – but led to the emergence of the most important generation of British fashion design: Richard James, Ozwald Boateng, Alexander McQueen, John Galliano, even the arguably less innovative Stella McCartney or Phoebe Philo.
Hopefully, from this, a few new Ocimar Versolatos will emerge (I have loved Versolato's work since his days at Lanvin).
I am always amazed by how creative the Brazilian designers are. It feels exactly like London at the end of the 1990s, when everything there was extravagant, often unwearable – but led to the emergence of the most important generation of British fashion design: Richard James, Ozwald Boateng, Alexander McQueen, John Galliano, even the arguably less innovative Stella McCartney or Phoebe Philo.
Hopefully, from this, a few new Ocimar Versolatos will emerge (I have loved Versolato's work since his days at Lanvin).
v.rom is fun and all, but the problem….
alot of show pieces, never make it to production.
the store never looks like the show.
long live brazil
xx
v.rom is fun and all, but the problem….
alot of show pieces, never make it to production.
the store never looks like the show.
long live brazil
xx
v.rom is fun and all, but the problem….
alot of show pieces, never make it to production.
the store never looks like the show.
long live brazil
xx
v.rom is fun and all, but the problem….
alot of show pieces, never make it to production.
the store never looks like the show.
long live brazil
xx