Yohji Yamamoto Spring 2011 | Paris Fashion Week

The Fashionisto

/

Published June 25, 2010

/

Updated January 22, 2015

yohjispring29Pinyohjispring30Pin
yohjispring31Pinyohjispring32Pin
yohjispring33Pinyohjispring34Pin
yohjispring35Pinyohjispring36Pin
yohjispring37Pin

Pages: 1 2


Recent Updates

Valentino Spring 2025 Explores Timeless Beauty

Valentino Spring 2025 Explores Timeless Beauty

Valentino’s spring-summer 2025 collection, under the creative direction of Alessandro Michele, interweaves the poetic and the philosophical. The runway felt ...
Massimo Dutti Channels the 90s with a Quiet Intensity

Massimo Dutti Channels the 90s with a Quiet Intensity

Massimo Dutti’s fall-winter 2024 Limited Edition collection steps into the spotlight with a quiet intensity. The lineup’s moody neutrals—rich blacks, ...
Lacoste Spring 2025 Offers a Modern Take on Vintage Elegance

Lacoste Spring 2025 Offers a Modern Take on Vintage Elegance

Lacoste’s spring-summer 2025 menswear collection evokes the carefree elegance of a 1920s beach lifestyle. It captures the essence of the ...
Versace Spring 2025 Champions Bold, Retro Patterns

Versace Spring 2025 Champions Bold, Retro Patterns

Versace’s spring-summer 2025 collection marches to the beat of retro-infused maximalism, making its grand statement at Milan’s Castello Sforzesco. With ...
Bottega Veneta Spring 2025 Takes a Playful Turn

Bottega Veneta Spring 2025 Takes a Playful Turn

Bottega Veneta's spring-summer 2025 collection by Matthieu Blazy reignites the spirit of boyhood, curiosity, and discovery. It’s a celebration of adventure, embodying those ...
Bally Spring 2025 Takes on Dadaism with a Playful Edge

Bally Spring 2025 Takes on Dadaism with a Playful Edge

The Bally spring-summer 2025 collection, titled “Counterpoint 3,” by Simone Bellotti, is a showing of Dadaist rebellion with an eye ...

4 thoughts on “Yohji Yamamoto Spring 2011 | Paris Fashion Week”

  1. LOVE the concepts. Although I must admit it's important Not to approach all his work as a solid entry, but to imagine pieces working as individual statements and teaming them up with simple singles from your collection. They complement as well as make a statement.

  2. LOVE the concepts. Although I must admit it's important Not to approach all his work as a solid entry, but to imagine pieces working as individual statements and teaming them up with simple singles from your collection. They complement as well as make a statement.

  3. LOVE the concepts. Although I must admit it's important Not to approach all his work as a solid entry, but to imagine pieces working as individual statements and teaming them up with simple singles from your collection. They complement as well as make a statement.

  4. LOVE the concepts. Although I must admit it's important Not to approach all his work as a solid entry, but to imagine pieces working as individual statements and teaming them up with simple singles from your collection. They complement as well as make a statement.

Comments are closed.